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Ricky is the composer, lyricist, and co-book writer of Treason.

He studied Popular & World Music at the University of Leeds, and has since worked as composer, arranger, and sound designer, writing for film, television, and theatre.

Recent theatrical credits include the scoring of original music & sound design for St John Hankin's play The Last of The De Mullins at the Jermyn St Theatre, and original music for Meet the Teaspoons at Chiswick Playhouse, inspired by Lotte Moore's children's book The Teaspoon Family.

Ricky has also composed music for television including television magazine and chat show The One Show (BBC), & comedy-drama Loaded (C4). Ricky also sings and arranges for acclaimed London based a cappella group The Buzztones.


Kieran Lynn is an award-winning playwright. He has had plays produced at most of the UK's best-known new writing theatres, including An Incident at the Border at the Finborough Theatre and Trafalgar Studios, Pushing Up Poppies at Theatre 503, Bunnies at the New Diorama Theatre, The Recurring Rise and Fall at the Hampstead Theatre, Breaking the Ice at the Traverse Theatre and The Trap at the Omnibus Theatre.

His work has also been seen by audiences around the world, with productions taking place in the USA, Israel, India, Austria, Turkey, Romania and New Zealand. His plays are published by Oberon Books/Bloomsbury.

He has been a writer in residence at the Theatr Clywd, the Gladstone Library, and the Hampstead Theatre, has completed the BBC Radio 4 Sparks residential programme and has worked extensively with the Old Vic Theatre, including on the 24 Hour Plays, the Time Warner Ignite project and he was awarded one of the prestigious T.S. Eliot Commissions.

He has had two plays commissioned by BBC Radio 4, including The Call of the Rewild, about rewilding in the Highlands of Scotland; he was also a writer on the BBC Radio Sounds micro-plays project, That Moment When.

He has won the Nick Darke Award for environmental writing, the Alpine Fellowship Theatre Prize, the Peter Brook Empty Space Award, as well as development and project-specific grants from the Arts Trust Scotland, the Tom McGrath Trust, and the Peggy Ramsey Foundation; he has also been awarded with an Ideastap Innovators Grant and was the winner of an Arts Council International Development Award.


Hannah studied drama at the University of Hull. Immediately after graduating Hannah worked as Assistant Director to Matthew Warchus. She then won a bursary from the prestigious Channel 4 Directors' scheme and spent 18 months at Derby Playhouse. After the bursary she was invited to stay as Director in Residence for a further two years, directing a varied programme of work. During her time at Derby Hannah was also responsible for developing new writing, working on over 15 World Premieres.

The following year Hannah became the youngest women ever to become an Artistic Director in the UK, when Harrogate Theatre appointed her at the age of 25. After leaving Harrogate Hannah has directed a large number of plays and musicals in the UK and internationally.

Credits include: Amour (Charing Cross Theatre), Pack of Lies (Menier Chocolate Factory), Flashdance (UK & International Tour), Mother Courage and Her Children (Southwark Playhouse), Down The Dock Road (Royal Court, Liverpool), Marry Me A Little (The Other Palace), The Rise and Fall of Little Voice (Hull Truck/UK Tour), Tick, Tick, Boom (Westend), Horrible Henry – Live and Horrid (Westend).


Nick trained at the London College of Music and has since worked extensively within the industry as an MD & multi-instrumentalist. Based in West London, he works from his production studio providing music services including musical supervision, orchestration, arranging, recording & production.

His credits include: Mamma Mia! The Party (London O2, Associate MD), Come From Away (The Phoenix, Guitar 1 Deputy), Calendar Girls The Musical (UK Tour, MD), Peter Pan (Liverpool Empire, MD), Jack & The Beanstalk (Liverpool Empire, MD), Fat Friends The Musical (UK Tour, Asst. MD), Blood Brothers (UK Tour, Asst.MD), Rent, 20th Anniversary Production (The Other Palace & UK Tour, Keys/Guitar).

Since 2015 Nick has been the Musical Supervisor for award winning international show producers Talent Artistic Group, who create and provide theatrical entertainment for cruises & resorts worldwide.


Orchestration Credits include: Stay Awake, Jake (promotional album) Treasure Island (Octagon Theatre), Standing At The Sky's Edge (Crucible Theatre, Sheffield; assistant orchestrator) and The Boy In The Dress (The Swan Theatre, RSC; assistant orchestrator).

Musical Direction credits include: Treasure Island (Octagon Theatre, Bolton), The Hunchback of Notre Dame (St Paul's Church, London) and Jack & The Beanstalk (EM Forster Theatre, Tonbridge).

Assistant Musical Direction credits include: Standing At The Sky's Edge (Sheffield Crucible).

Composition credits include: The Hunchback of Notre Dame (St Paul's Church, London), Stuff (Crucible Studio, Sheffield), The Nutcracker (Theatr Clwyd, Mold) and Departures: A Song Cycle (Pleasance Theatre, London).

Upcoming projects include working as musical director, arranger and orchestrator on the new British musical, Are You As Nervous As I Am?, and composing the score to a new short animation entitled Nola and the Night Orchestra.


Stephen McGill has been an independent producer since 2012. He has previously worked on the worldwide productions of MAMMA MIA! as well as the London productions of Billy Elliot and Jersey Boys.

Upcoming productions include Operation Crucible (Sheffield Crucible); Tomorrow Morning (Charing Cross Theatre); Stay Awake Jake; & 54: The Musical.

Recent productions include the UK and International Tours of Fame and Madagascar; The Steamie at the SSE Hydro in Glasgow; Operation Crucible, (59E59 Theater, New York); UK Tour and West End run of American Idiot at The Arts Theatre, UK Tours of The Crucible; Footloose; Flashdance; Spamalot; Of Mice & Men; Little Shop Of Horrors; Chichester Festival Theatre's West End transfer of The Pajama Game at The Shaftesbury Theatre; Gary Lamont: Dropping The Soap! (Scottish Tour); Katie Brennan's Quarter Life Crisis (Edinburgh Festival); The Last of the De Mullins (Jermyn Street Theatre); Facing East: In Concert (Lyric Theatre); The Tailor Made Man (Arts Theatre); An Incident at the Border (Trafalgar Studios).

He attended the Stage One New Producers Workshop in October 2011 and was awarded the Stage One Start Up Bursary in 2014 for The Pajama Game.


Katy Galloway is an independent theatre producer and lead producer behind Katy Galloway Productions.

Credits include Associate Producer on One Jewish Boy (Trafalgar Studios) and Assistant Producer for Fringe First Award winning play, Bobby and Amy (Edinburgh Fringe). She has also worked with award winning theatre company Chalk Line as a Trainee Producer.

Katy graduated from The University of Edinburgh in 2020 and is currently working with Stage One as a member of their Commercial Placement cohort.


Established in the midst of a global pandemic and driven by a firm belief that entertainment is for everyone, PC-J Entertainment is determined to inspire creativity for all.

Their first show was the hit Kander and Ebb revue, The World Goes 'Round, a co-production with The Barn Theatre, Cirencester. In bringing Covid secure musical theatre to the Cotswolds, the piece was one of about ten shows being performed in the UK during August 2020.

December 2020 brought about their first two West End credits with the Dragatha Christie murder mystery Death Drop (Garrick Theatre), followed, briefly, by the infamous musical of A Christmas Carol (Dominion Theatre). These two productions further show their commitment to a wide ranging and excellent entertainment.

The reopening of theatres will see the return of Death Drop (Garrick Theatre) as well as two more soon to be announced West End shows.

Set up by Piers Cottee-Jones, formerly the lead producer at Rigmarole Productions, whose previous notable credits include Hair (UK Tour), Madagascar (UK Tour), Dark Sublime (Trafalgar Studios), Pippin (Southwark Playhouse) and How to Succeed in Business Without Really Trying (Maltz Jupiter Theatre, Florida). Piers' desire to ensure that theatre is for all led to Dark Sublime being the first show at Trafalgar Studios to host a relaxed performance, on top of its 2 BSL interpreted performances.


Square Peg® provides financial, business and management support that helps make theatre and dance happen.

Since his first major production in 1984 of the rock musical Hair (Toronto) Doug Ross and his teams have been producing or involved in a number of ventures including their current role as co-producers of Treason The Musical (in development) and the London production of Come From Away (4 Olivier's).

In addition, the Pegs have co-produced or funded productions of: Mack & Mable in the West End (Ball & LaChance and the UK tour); La Cage aux Folles on Broadway (three Tony's) and its subsequent US tour; Sweeney Todd in the West End (Ball & Staunton); Matthew Bourne's Nutcracker, Sleeping Beauty, The Red Shoes, Swan Lake and Cinderella (Sadler's Wells, UK, Asia, and US tours): Amour (Charing Cross); Mother Courage and Her Children (Lawrence at Southwark Playhouse); Glengarry Glen Ross (UK tour); The Starry Messenger West End (Matthew Broderick & Elizabeth McGovern); Robin Cousins' ICE (UK tour), and; the annual Royal Pavilion Ice Rink in Brighton.

In addition, Square Peg® has produced numerous events for corporate clients around the world converting their strategies into creative stories and action.


Recent credits include: Treason The Musical (Worldwide Launch), Beast, Type, Song (Tate Britain), The Pirate Queen (London Coliseum), The Man. The Music. The Show (Hugh Jackman Arena Tour), Jean Paul Gautier Fashion Freak Show (Southbank Centre), Thriller Live (Lyric Theatre), My Best Friend's Wedding (UK Tour), Starlight Express (Bochum & UK Tour), Dirty Dancing (Phoenix Theatre/ UK Tour), Silk Road, Dark Sublime (Trafalgar Studios), One Man, Two Guvnors (Derby Theatre / Queen's Theatre, Hornchurch), Sinatra – The Man and His Music (London Palladium), The Rat Pack (Theatre Royal Haymarket), American Idiot (Arts Theatre), Footloose (Peacock Theatre), Close To You (Criterion Theatre), Cruel Intentions, Five Guys Named Moe, The Noise Boys (Edinburgh), Jackie The Musical, Grease, Our House, Choir Of Man, A Midsummer Night's Dream, The Importance of Being Earnest (UK Tours), Flashdance (Korean Tour), Silence & Fear (French National Tour), The Wizard Of OZ (Blackpool Winter Gardens) Soho Cinders, Mythic, The Mikado, The Knowledge (Charing Cross Theatre), Edward II / Dr. Faustus (Virtual Reality).

Children's Casting : Avalanche (Barbican Theatre), Kinky Boots (Adelphi Theatre), Annie/Bodyguard (UK Tour & West End), The King & I (UK Tour)

Resident Casting Director at Above The Stag Theatre, The Barn Theatre, Cirencester and for Immersion Theatre.


Taylor Walker's passion for choreography started at the age of 20 when understanding that stories can be told through movement. Taylor’s variety of styles combine into one thing that matters to him most - story-telling. Taylor started out in musical theatre, working in productions like Matilda, We Will Rock You, Grease, Fiddler On The Roof, and later found a love for commercial and contemporary fusion movement. Taylor enjoys leaning in with a cinematic intention and how that can elevate into theatre. Taylor has just finished choreographing a new Netflix dance show called “Dance Monsters” which will air in 2023.


Dyslexic educator, Grime-poet and Dancehall raving social activist. Debris explores the intersectional, unexpected and unjust - ideally whilst making you laugh and/or dance.

Debris has worked in 30 countries, raised over £300,000 with her company The Mouthy Poets to develop young talent, designed foundation performance poetry modules at Nottingham University and had her debut poetry pamphlet, Pigeon Party, published by Flipped Eye.

Debris’ debut show, Poet in da Corner, premiered at The Royal Court in 2018, receiving 4-5 stars and seeing Debris nominated for an Emerging Talent of The Year Award (Evening Standard Theatre Awards). Poet in da Corner toured the UK early 2020 alongside the release of the album (Accidental Records).

Debris is currently developing several TV shows, a play for Hightide Theatre and The Write to Rave, an immersive play exploring raving as radicalism. When Debris’ not writing she can be found dancing for The Heatwave, Red Bull Music Academy and Sillis Movement.

Debris is an experienced writer who places her poetic practice at the heart of writing for the stage, screen and radio. Debris’ is also a performer, director, producer, dancer, educator, speaker and presenter.

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